Following the death of his young wife, a widower has isolated himself from the outside world. He lives solely for her memory, until one day he encounters a dancer who looks remarkably familiar. Working together with the General Music Director Ainārs Rubiķis, Canadian star director Robert Carsen stages his production at the Komische Oper Berlin with Korngold’s musical psycho-thriller, one of the greatest hits of the 1920s.

Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen.

In 1920s Germany, Erich Korngold's work was considered “degenerate” and banned. Eventually, in 1934, he left for Hollywood. There, he made a name for himself as a film composer and only rarely wrote great works for the stage. Many of his quite successful operas, composed between 1913 and 1927, stopped being performed after World War II. Among these was his perhaps most significant work, Die tote Stadt (“The Dead City”), which was performed again for the first time after a long hiatus in 1955 in Munich. Further productions followed. Nevertheless, Götz Friedrich's version of 1983 for the Deutsche Oper Berlin was only the fifth new production of the opera after 1945.

After meeting an ex-lover Eva runs away from her marriage and family into a world of vaudeville and drugs. She becomes an actress that satisfies the men around her. Heavy addicted she understands where the path she has chosen leads.

Staged by Friedemann Fromm, this new prime time serial with main actors Anna Loos, Thomas Thieme and Burghart Klaußner is an emotional family drama, exciting political thriller and genre picture of the German capital in one sweep.The action’s central character is lawyer Susanne Kröhmer. While planning her private future with her partner, she gets the chance of becoming a candidate for the position of mayor of Berlin and prepares for competing with the city’s powerful ones. During this phase, however, she gets into conflict with her own father’s political interests, him being the leader of the conservative party.When finding out about some deceptive business practice with mayor-in-office Degenhardt, she feels urged to start on a journey back into her own past to find out truth. Alex, a journalist and good friend of hers from youth times, supports her in her confrontation with her past and her father’s criminal offences. One prime result during her search is, that transparency and honesty are hard to keep up within the political arena she is about to step into.

Business is not going particularly well at Taubenbaum Funerals. The body of a young woman brings in work, but no one knows who it is. Lisa tries to find out the identity of the unknown woman.

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A noble prostitute is found dead in the toilet of a trendy club. Actually a normal case for Chief Inspector Lukas Laim - he would not know this woman intimately. In addition, the case gets an unexpected twist: Laim and his assistant Tim Berners encounter in the customer file of the victim on the top managers of a pharmaceutical company. Suddenly the sexual offense becomes a serious case of white-collar crime.

At Cabo Fisterra, where the Way of St. James ends and the Atlantic crashes against the cliffs, two pilgrims find the body of a woman: Sofía Serrano, an employee of the pilgrims' office in Santiago de Compostela. Chief Inspector David Acosta, freshly transferred from metropolitan Valencia to rugged Galicia, takes on his first case at the remote office. The workaholic wants to use his transfer to keep in touch with his ex-wife Paola and his 15-year-old daughter. A lead leads David and his team - the experienced detective Adrián Martinz, who is reluctant to submit to his superior, and the self-confident detective Mercédes Navarro - to the mysterious pilgrim Carmelo. He turns out to be a criminal with a seductive streak. When he escapes from the police, there is a crisis in the team. While David, who is spoiled by success, comes under pressure, he has no idea that he is about to receive bad news on a personal level.

After the surprising death of her mother, budding artist Josefine hastily leaves the city of Munich and moves to an old, abandoned dairy farm in the countryside. She also escapes from her friend Simon, who, contrary to his assurances, has still not separated from his wife. And Josefine finally wants to find out who her father was. Her mother had left the village and raised Josefine in the city.